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By E.F.F. Chladni (auth.)

E.F.F. Chladni’s experiments and observations with sound and vibrations profoundly motivated the advance of the sector of Acoustics. The recognized Chladni diagrams in addition to different observations are contained in Die Akustik, released in German in 1802 and Traité d’Acoustique, a significantly accelerated model, released in French in 1809. this can be the 1st accomplished translation of the extended French model of Traité d’Acoustique, utilizing the 1802 German book for reference and explanation. the interpretation was once undertaken by means of Robert T. Beyer, PhD (1920-2008), famous acoustician, Professor of Physics at Brown collage, and Gold Medal recipient of the Acoustical Society of the USA. in addition to many different initiatives accomplished over the process his profession, Dr. Beyer translated Von Neumann’s seminal paintings, Mathematical Foundations of Quantum Mechanics from the unique German, spent 30 years translating Russian physics treatises and journals, served as editor of the English translation of the Soviet Journal of Experimental and Theoretical Physics, and in addition authored Sounds of our instances: 2 hundred Years of Acoustics.

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Additional info for Treatise on Acoustics: The First Comprehensive English Translation of E.F.F. Chladni's Traité d’Acoustique

Sample text

Diminished seventh, do:si♭♭ (or do#:si♭) . . or . . . . . . . . . . . . . . . . . . Augmented sixth, do:la# . . . . . . . . . Minor seventh, do:si♭ . . . . . . . . . . or . . . . . . . . . . . . . . . . . . Major seventh, do:si . . . . . . . . . . . Diminished octave, do:do♭ . . . . . . . . Octave, do:do . . . . . . . . . . . . . . 5 Some people who are involved in practice have found fault with the theory in # that it yields a minor semi-tone 25 24, for example, do to do , that is smaller than 16 the major semi-tone 15, do to re, although the minor sometimes has a better effect if one makes it slightly more acute; however, the theory is fair, and the reason why a minor semi-tone sometimes supports or requires slightly higher value is that ordinarily an augmented note rises to its more acute neighbor, and the ear likes to prepare and anticipate a little the tendency toward the following note.

1007/978-3-319-20361-4_1 1 2 Preliminary Observations 2. Subjects of Acoustics Acoustics is the theory of sound. The subjects of acoustics are: 1. 2. 3. 4. The numerical ratios of the vibrations The characteristic vibrations of sounding bodies Transmitted vibrations, or the propagation of sound The sensation of sound, or hearing Number 1 forms the arithmetic part, numbers 2 and 3 the mechanical part, and number 4 the physiological part of acoustics. Part I Numerical Ratios of Vibrations Section 1: Primary Ratios 3.

Or . . . . . . . . . . . . . . . . . . Major seventh, do:si . . . . . . . . . . . Diminished octave, do:do♭ . . . . . . . . Octave, do:do . . . . . . . . . . . . . . 5 Some people who are involved in practice have found fault with the theory in # that it yields a minor semi-tone 25 24, for example, do to do , that is smaller than 16 the major semi-tone 15, do to re, although the minor sometimes has a better effect if one makes it slightly more acute; however, the theory is fair, and the reason why a minor semi-tone sometimes supports or requires slightly higher value is that ordinarily an augmented note rises to its more acute neighbor, and the ear likes to prepare and anticipate a little the tendency toward the following note.

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