By Darryll Grantley
Darryll Grantley has created a advisor to that style of leisure, referred to as the Interlude. beginning within the fourteenth century, Interludes integrated various works now not thought of a part of cycle performs. This easy-to-use reference consultant to every of the extant Interludes and fragments (c. a hundred) contains: account of early variants or manuscripts; authors or assets; smooth versions; plot precis and dramatis personae; social matters within the performs; verbal and dramaturgical positive aspects; and staging instructions, between different important information. A bibliography and appendices also are integrated.
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Additional resources for English Dramatic Interludes, 1300-1580: A Reference Guide
Par. 392; Cal. 583; Mel. 632; Cel. 639; Dan. ) 72, Cal. 611; Par. 632; Mel. 905 Songs and music 1. ) 485 sd; 2. Parmeno calls for the minstrel to ‘strike up’ and ‘sing sweet songs’ 574–5; Instrumental: lute music from Calisto (? ) for Celestina 585; Melebea’s belt 836 P L AC E NA M E S Arabia 229; Bethlehem 298; Rome 120 ALLUSIONS Adam 174, 176–7; Alexander the Great 165, 851; St Appollonia 834; Elijah 175; Gabriel and the Virgin Mary 887; St George 855; Hector 852; Heraclitus 4; St John midsummer epistle 171–4; Narcissus 858; Nero and Poppeia 119–21; Nimrod 164; Paris and Venus 247; Petrarch 1; Phoebe 91; Phoebus 91; the Three Kings 298 R E P O RT O N M O D E R N P RO D U C T I O N Leeds (Durham Medieval Theatre Company, dir.
To solve the problem, Biondello proposes to steal the money for Rosimunda’s dowry from Amedeus, and pretend that the money has been put up by her uncle. The plot is to make Amedeus think that the money has been stolen by spirits, and to this end Formosus has led his father to believe that the house is haunted, supporting his contention by making strange noises in the house at night. Trappola’s role would be to help in this endeavour by feigned necromancy. The scene then switches to Cantalupo, who is being derided by his servant Squartacantino for attempting an amorous pursuit at his advanced age, but Cantalupo goes off to preen and prepare himself for his wooing.
He suddenly becomes ill and, though attended by Adulation and Mischievous Help, who have both made an entry, vomits and brings forth Pleasure. When Money departs, Pleasure explains that Money is his father while he in turn is father to Sin. He then also becomes ill and vomits, upon which Sin appears. After welcoming Sin, Pleasure goes off with Adulation and Sin too begins to feel ill. Attended by Pressed for Pleasure and Swift to Sin, he sits down and soon vomits, bringing forth Damnation. Pressed for Pleasure and Swift to Sin take Damnation off and Sin expresses satisfaction in his ubiquitous presence and powers.