By W. B. Yeats, Catherine E. Paul, Margaret Mills Harper
2013 publication of the 2008 Scribner unencumber of the unique 1925 Version
The amassed Works of W. B. Yeats, quantity XIII: A Vision is a part of a fourteen-volume sequence below the overall editorship of eminent Yeats pupil George Bornstein and previously the past due Richard J. Finneran and George turbines Harper. one of many strangest works of literary modernism, A Vision is Yeats's maximum occult paintings.
Edited by means of Yeats students Catherine E. Paul and Margaret generators Harper, the amount offers the "system" of philosophy, psychology, background, and the lifetime of the soul that Yeats and his spouse George (née Hyde Lees) got and created through mediumistic experiments from 1917 throughout the early Nineteen Twenties. Yeats obsessively revised the publication, and the revised 1937 model is way extra commonly on hand than its predecessor. the unique 1925 model of A Vision, poetic, unpolished, masked in fiction, and shut to the buzz of the automated writing that the Yeatses believed to be its supernatural starting place, is gifted the following in a scholarly variation for the 1st time.
The textual content, minimally corrected to maintain the experience of the unique, is broadly annotated, with specific consciousness paid to the connection among the broadcast e-book and its complicated genetic fabrics. critical to an figuring out of the poet's overdue paintings and entrancing by itself advantage, A Vision goals to be, abruptly, a piece of theoretical historical past, an esoteric philosophy, a cultured symbology, a mental schema, and a sacred booklet. it really is as tough because it is key examining for any scholar of Yeats.
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Additional resources for A Vision (The Collected Works of W. B. Yeats, Volume 13)
The contents consisted of his god-daughter Graɒben,2 a seventeen-year-old from Virland, c Martha, and myself. As his nephew and an orphan, I became his laboratory assistant. I admit that I plunged eagerly into the geological sciences; I had the blood of a mineralogist in my veins, and never got bored in the company of my precious rocks. In a word, one could live happily in the little house in the KɆnigstrasse, in spite of the impatience of its master, for even though he showed it in a somewhat rough fashion, he was nevertheless very fond of me.
Journey to the Center of the Earth highlights both dimensions of the scientific enterprise, emphasizing their tensions but also their inevitable conjunction in the quest for more and better knowledge. So the journey to the underworld, while it breathes new life into an ancient literary motif, also serves as a framework for reflection on the much more recent problems of a scientific approach to the natural world and its history. In addition, it contrasts this scientific perspective of relentless inquisitorial rigor, which is exemplified by Professor Lidenbrock, with the more emotional, irrational, and sometimes visionary dimensions that his nephew Axel represents in the narrative.
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